Who were the Hubbards and what was that influence?
Harlan was born close to his beloved Ohio River in 1900. During his 88 years,
he became perhaps the greatest artist of that river world. In woodblock
prints, water colors and paintings, he presented his singular vision of
riverboats, rivertowns, and farms.
His art began in adolescence and continued with stubborn
persistence until his passing. It was grounded in a rich knowledge of
the art world, but stayed true to his own slant. Always, it reflected
the innumerable moods of the river and its environs.
His work is still not fully documented, but yielded more than 700 paintings,
1,200 watercolor drawings and countless other pieces. While some of these
are on permanent display at the College, many others have been collected
and displayed by area museums and private individuals. Some of these are
included in the current special exhibit.
But Harlan's strongest appeal came from the exceptional life he shared
with his wife, Anna, through 45 years. A hidden life, lived "on the
fringes of society," it was nonetheless a wonderfully public life,
made available through Harlan's writing.
"Shantyboat," which Harlan wrote in 1953, takes us along on
the couple's homemade drift boat as they travel from rural Kentucky to
New Orleans via the Ohio and Mississippi rivers. The trip took several
years, its pace varying with the river's seasons. There, the Hubbards
learned many of the arts of self-sufficiency and simplicity, and the joys
of living immersed in nature, which sustained the rest of their life.
"Payne Hollow," written 20 years later, invites us into the
circle of a year in their life as homesteaders in the remote valley in
Trimble County, Ky. The property is located right on the Ohio, just a
few miles downstreamfrom the College.
Many marveled at the Hubbards' self-reliance, but to them, it was the
only way to live. Harlan once wrote, "Sweet water to drink, pure
air to breathe, naturally grown food and such delights to the soul as
space, quiet, solitude and dark nightsthese rewards outweigh by
far the time and energy required to achieve them."
It was this life into which generations of Hanover students were welcomed
as guests and as friends. The Hubbards were gracious hosts, even if visitors
interrupted a scheduled activity. "With a little encouragement, nearly
everyone has something to say that is worth listening to," Harlan
Often, visits with the Hubbards gave the students great insights. How
many of them left with the dream of building their own rustic home and
furnishing it simply? Of finding delight and meaning in raising and gathering
their own food? Of living in an unspoiled setting?
Many found it difficult to leave Payne Hollow at the end of their visits.
Even today, after both Anna and Harlan have passed away, images of the
Hubbards are etched indelibly in the mindAnna reading aloud while
Harlan washed dishes or fixed a lantern; Anna beginning a Mozart piece
at the piano as Harlan tuned his violin.
In 1985, Harlan donated a diverse collection of his art to Hanover College.
Several pieces hang in the J. Graham Brown Campus Center. His donation
was a gesture of friendship to an institution that had provided books,
concerts and a community of friends.
In that spirit, the Friends of the Hubbards is an informal group, based
at the College. Members cherish the Hubbard legacy and work to extend
it through events like the exhibit this spring. The Friends of the Hubbards
also produce an occasional newsletter. Those wishing to be added to the
mailing list should contact Hanover's Office of Development by mail (P.O.
Box 108, Hanover, IN 47243-0108), phone (812-866-7011), or email (email@example.com).
Robert J. Rosenthal is a professor of philosophy at Hanover
College, where he has worked since 1967. He earned his bachelor's degree
at St. Olaf College (Minn.) and his doctorate at the University of Maryland.
Rosenthal is a member of the Friends of the Hubbards, and has led generations
of Hanover students into field study of "the simple life" through
the Spring Term course, "Utopias and Intentional Communities,"
which examines monasteries, communes and Amish societies. This column
was reprinted by permission.
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